No Limit to the Evil from Seattle Heavy Metallers ZERO DOWN is out now on Minotauro Records, track list below. Stream the title track here, only one track:
After releasing their last CD independently, ZERO DOWN is now set and excited to release their next ripper on Minotauro Records. Once again the band will be reuniting with Martin Feveyear (QOTSA, SCREAMING TREES, DUFF MCKEAGAN’S LOADED, etc) at Jupiter Studios in Seattle to lay down this beast and packaging will include artwork by the master of metal art, Ed Repka (MEGADETH, 3 INCHES OF BLOOD, DEATH, MISFITS, etc). This new opus features 10 new cuts and sure to be Minotauro’s heaviest release to date, so scream for me motherfuckers!
Track list:
1 Return of the Godz
2 No Limit to the Evil
3 Devils Thorn
4 Cold Winters Night
5 Leche di Tigre
6 Phantom Host
7 Suicide Girl
8 Steve McQueen
9 Two Ton Hammer
10 Black Rhino
“Hands, er, down, Seattle’s Zero Down are America’s best unsigned band.”
Martin Popoff (BWBK Magazine & Hard Radio.com)
“True U.S. Steel at its best!!” 5/5 – Metalunderground.at
“This record and band is good enough to start a trend, the second wave of Judas Priest.” – Glacially Musical
“You’re going to dig Zero Down’s classic NWOBHM influenced heavy/speed metal grooves. Recommended.” 4.5/5 – Dangerdog Music Reviews
“No Limit To The Evil is a great collection of 80’s-flavoured tunes.” – The Moshville Times
“No Limit to the Evil’is definitely a throwback into the 80’s metal of big hair and leather.” 10/10 –
WeLoveMetal.com
“NO LIMIT TO THE EVIL is the most effortlessly enjoyable album I’ve heard this year and another triumph for Zero Down.” 4.5/5 – Waspman (Metal-Rules)
“No Limit to the Evil, is stock full of big riffs, big choruses and the kind of heavy metal you would expect from a band who have shared a stage with UFO and Diamond Head.” –
Get Your Rock Out
“Chock full of bombastic blues-rock riffs and cocksure swagger. Imagine how Zeke, Scissorfight and Airbourne might sound if they got drunk and jammed together. It’s classic without sounding dated and reverential without sounding copyist.”
– Caren Gibson (Metal Hammer Magazine)
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